Literature

A close reading of V.S. Naipaul’s A Bend in the River (1979).

 

Bigburger pictures looked like smooth white lips of bread over mangled black tongues of meat. (97)

 

Bigburger: Singular pronoun. Bigburger—“The Big One,” (ibid) curiously set opposite the Big Man, the president—is not merely a brand, product or franchise, it's a pseudo-state, assuming the role of accommodating refugees (99) and constituting the "New Domain" by rivaling the state's role in growing local real estate. Indeed, Bigburger represents Mahesh's "coup", (97) presumably displacing, or at the very least challenging, the Big Man's authority with the backing of international capital's new colonialism.

Pictures: Plural noun. Graphic representations of the Bigburger universe, conceived, manufactured and shipped in from the white outside. These representations interestingly condition our narrator's perception of that outside—in the end, after all, Bigburger becomes a sort of outside, resembling his notions of the U.S., (98) at least in that it provides a space of escape from "real Africa" (100).  These pictures contrast the photographs of the State Domain, which serve the same function in reverse, following an Africa-Europe trajectory.

Looked: Verb, preterit tense, indicating vision, or more generally, perspective. In this case the perspective can be assumed to be that of the narrator, wrapped up in all the complexities of his very fluid subjectivity.

Like: Conjunction, grammatically indicative of union between two clauses: here the representations (i.e photos) and our narrator’s interpretation of them. This term also embodies a sense of approximate resemblance, qualifying that interpretation as subjective and dependent upon the narrator's subject-position as a third-generation African of Indian descent whose loose use of the subject pronoun ‘us’ often includes characters of Indian, Middle-Eastern or European origins as well as Africans. At different times, all of these subjects are equally set up as others depending on the narrator's chosen point of view.